11111

COURSE INTRODUCTION AND APPLICATION INFORMATION


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Course Name
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
Fall/Spring
Prerequisites
None
Course Language
Course Type
Elective
Course Level
-
Mode of Delivery -
Teaching Methods and Techniques of the Course
Course Coordinator
Course Lecturer(s)
Assistant(s) -
Course Objectives
Learning Outcomes The students who succeeded in this course;
  • The student will be able to develop cultural critiques at an interdiciplinary level.
  • Student will be able to write and academic essay.
  • Student will be able to do interdisciplinary academic research.
  • Student will be able to apply different methods such as watching/observing, discussing, researching, reading, writing and presenting.
  • Student will be able to express his/her ideas by means of filmmaking.
Course Description

 



Course Category

Core Courses
Major Area Courses
X
Supportive Courses
Media and Managment Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Required Materials
1 Introduction via short films
2 Film session1
3 Film session 2
4 Film session 3
5 Film session 4 Doing the film analysis of Film 1, 2 or 3
6 Film session 5
7 Film session 6
8 Film session 7
9 Film session 8 Doing the film analysis of Film 4, 5 or 6
10 Presentations Preparing a presentation and writing a text
11 Short Films Shooting a short film
12 Film session 9
13 Film session 10
14 Film session 11
15 Film session 12 Doing the film analysis of Film 9, 10 or 11,
16 Finals Arch 300 Film Festival
Course Notes/Textbooks None
Suggested Readings/Materials . AD: Architecture + Film, M. Toy, ed., 1994. AD: Architecture + Film II, B. Fear, ed., 2000. Alien Zone II: The Spaces of Science Fiction Cinema, A. Kuhn, ed., 1999. Architecture and Film, M. Lamster, ed., 2000. Architecture in Cinema: A Relation of Representation Based on Space, G. Kaçmaz Erk, 2009. Cinema and Architecture: Melies, MalletStevens, Multimedia, F. Penz and M. Thomas, eds., 1997. Cinema and the City: Film and Urban Societies in a Global Context, M. Shiel and T. Fitzmaurice, eds., 2001. Cinematic City, D.B. Clarke, ed., 1997. Film Architecture: Set Designs from Metropolis to Blade Runner, D. Neumann, 1996. Form Follows Film: Design and Cinema, B. Uluoğlu, A. Ensici and A. Vatansever, eds., 2006. OASIS 66: Virtuality Here: Space in Cyberfiction, L. Schrijver and P. Avidar, eds., 2005. Projected Cities: Cinema and Urban Space, S. Barber, 2002. The Architecture of Image: Existential Space in Cinema, J. Pallasmaa, 2001

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
14
20
Laboratory / Application
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
3
45
Presentation / Jury
1
10
Project
1
25
Seminar / Workshop
Oral Exam
Midterm
Final Exam
Total

Weighting of Semester Activities on the Final Grade
70
Weighting of End-of-Semester Activities on the Final Grade
30
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Course Hours
(Including exam week: 16 x total hours)
16
3
48
Laboratory / Application Hours
(Including exam week: 16 x total hours)
16
Study Hours Out of Class
13
2
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
3
5
Presentation / Jury
1
7
Project
1
14
Seminar / Workshop
Oral Exam
Midterms
Final Exams
    Total
110

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

Ability to apply theoretical and technical knowledge in architecture.

X
2

Ability to understand, interpret and evaluate architectural concepts and theories.

X
3

Ability to take on responsibility as an individual and as a team member to solve complex problems in the practice of architecture.

 

X
4

Critical evaluation of acquired knowledge and skills to diagnose individual educational needs and to direct self-education.

X
5

Ability to communicate architectural ideas and proposals for solutions to architectural problems in visual, written and oral form.

X
6

Ability to support architectural thoughts and proposals for solutions to architectural problems with qualitative and quantitative data and to communicate these with specialists and non-specialists.

X
7

Ability to use a foreign language to follow developments in architecture and to communicate with colleagues.

X
8

Ability to use digital information and communication technologies at a level that is adequate to the discipline of architecture.

X
9

Being equipped with social, scientific and ethical values in the accumulation, interpretation and/or application of architectural data.

X
10

Ability to collaborate with other disciplines that are directly or indirectly related to architecture with basic knowledge in these disciplines.

X

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 

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