COURSE INTRODUCTION AND APPLICATION INFORMATION


Course Name
Looking, Thinking, Sketching
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
ARCH 334
Fall/Spring
2
2
3
4
Prerequisites
None
Course Language
English
Course Type
Elective
Course Level
First Cycle
Mode of Delivery face to face
Teaching Methods and Techniques of the Course -
Course Coordinator -
Course Lecturer(s)
Assistant(s) -
Course Objectives In this Studio/Workshop the student will learn to use different techniques of visual communication by exploring them in a more experiential approach. Invention and Imagination will be encouraged in the process of designing the drawings/documents. This will help the student to understand the importance of conventional parameters of architecture such as form, space, proportion, texture, light and shadow, but also particular spatial experiences and events, people, sounds, smells, colors, materiality, and the role of invention and imagination.
Learning Outcomes The students who succeeded in this course;
  • will be able to work and develop abstractions from concrete images into design generation concepts.
  • will be able to evaluate the contributions of the built and the natural environment to the design process and its alternatives.
  • will develop an advanced skill level in using “visual” hand drawing tools and design thinking methods.
  • will be able to apply ideas and models into sketches.
  • will be able to research, experiment on and use a wide selection of mixed media including traditional sketching materials.
Course Description In the Process of Making and Designing, all drawings and sketches, collages and words, photographs and models become documents of exploration and experimentation, as well as documents of representation. Like printmaking that places a layer over layer transcribing and transforming elements of the work of art, every sketch will play an important role in the thinking process to formulate a design idea. In using sketching as a critical thinking tool all documents created in class will help understand the objects we see such as sites, buildings, and landscape; transforming and creating a metaphorical structure that serves as a vocabulary used in the development of new ideas
Related Sustainable Development Goals

 



Course Category

Core Courses
Major Area Courses
X
Supportive Courses
Media and Managment Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Required Materials
1 Course introduction: syllabus overview & general discussion
2 Looking and Understanding: Mapping studies, abstraction, environmental cognition - Homework#1 - Marc Taro Holmes, “The Urban Sketcher, Techniques for Seeing and Drawing on Location”. North Light books, Montreal.
3 Looking and Understanding: Composition analysis, collage studies - Homework#2 - Alvaro Siza (1998), “Apaçıklığı Imgelemek”. Janus, Istanbul.
4 Looking and Understanding: Texture and scanning studies, linoleum printing - Homework#3
5 Spatial Experience: Figure and contextual elements, scale relationships - Homework#4 - Paolo Belardi (2017), “Ölçmek, Çizmek, Bilmek”. (çev.) Janus, İstanbul.
6 Spatial Experience: 1-2-3 point perspective - Homework#5 - Joseph D’Amelio (1964), “Perspective Drawing Handbook”. Tudor Publishing.
7 Spatial Experience: Midterm Exam - Homework#6
8 Mid-term Week
9 Project: Research, reading, and discussion - Homework#7 - Peter Cook(2014), “Drawing: The Motive Force of Architecture”. Wiley,AD.
10 Project: Creating the narrative structure - Homework#8
11 Project: Narrative development, sketching - Homework#9
12 Project: Facade – Section Studies - Homework#10
13 Project: Project development, individual critiques
14 Project: Creating a booklet
15 Semester Review, booklet submission
16 Final Submission
Course Notes/Textbooks

Experiential Drawing, Robert Regis Dvorak. Crisp Publications, Inc. Menlo Park, California. ISBN: 9781560520658

Drawing on the Right Side of the Brain, Elizabeth Edwards. ISBN: 9780874775235

Suggested Readings/Materials

Design Drawing, Francis D. K. Ching ISBN: 9781118061589

Drawing: A Creative Process, Francis D. K. Ching ISBN: 9780471289685

 

 

EVALUATION SYSTEM

Semester Activities Number Weighting
Participation
1
5
Laboratory / Application
1
5
Field Work
Quizzes / Studio Critiques
Portfolio
Homework / Assignments
Presentation / Jury
Project
1
30
Seminar / Workshop
Oral Exam
Midterm
2
60
Final Exam
Total

Weighting of Semester Activities on the Final Grade
4
70
Weighting of End-of-Semester Activities on the Final Grade
1
30
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Course Hours
(Including exam week: 16 x total hours)
16
1
16
Laboratory / Application Hours
(Including exam week: 16 x total hours)
16
4
Study Hours Out of Class
10
1
10
Field Work
Quizzes / Studio Critiques
8
Portfolio
Homework / Assignments
Presentation / Jury
Project
1
14
Seminar / Workshop
Oral Exam
Midterms
2
Final Exams
    Total
104

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to offer a professional level of architectural services.

2

To be able to take on responsibility as an individual and as a team member to solve complex problems in the practice of design and construction.

3

To be able to understand methods to collaborate and coordinate with other disciplines in providing project delivery services.

4

To be able to understand, interpret, and evaluate methods, concepts, and theories in architecture emerging from both research and practice.

5

To be able to develop environmentally and socially responsible architectural strategies at multiple scales.

6

To be able to develop a critical understanding of historical traditions, global culture and diversity in the production of the built environment.

X
7

To be able to apply theoretical and technical knowledge in construction materials, products, components, and assemblies based on their performance within building systems.

8

To be able to present architectural ideas and proposals in visual, written, and oral form through using contemporary computer-based information and communication technologies and media.

X
9

To be able to demonstrate a critical evaluation of acquired knowledge and skills to diagnose individual educational needs and direct self-education skills for developing solutions to architectural problems and design execution.

10

To be able to take the initiative for continuous knowledge update and education as well as demonstrate a lifelong learning approach in the field of Architecture.

X
11

To be able to collect data in the areas of Architecture and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1)

12

To be able to speak a second foreign language at a medium level of fluency efficiently.

13

To be able to relate the knowledge accumulated throughout the human history to their field of expertise.

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest