Course Name | Pattern Cutting and Sewing Skills II |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
FA 208 | Spring | 2 | 2 | 3 | 4 |
Prerequisites | None | |||||
Course Language | English | |||||
Course Type | Required | |||||
Course Level | First Cycle | |||||
Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | ||||||
Course Coordinator | ||||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | The objective of this course is to provide essential knowledge of flat pattern making, sewing techniques, and garment construction. |
Learning Outcomes | The students who succeeded in this course;
|
Course Description | Students improve their skills of sewing and pattern making in order to develop their creativity by understanding of a complete garment. Students learn how to create a pattern for their designs by using flat pattern techniques. |
Related Sustainable Development Goals | |
| Core Courses | |
Major Area Courses | X | |
Supportive Courses | ||
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | Course Introduction: Overview of course syllabus / Construction of a trench coat: Fabric cutting | |
2 | Construction of a trench coat | Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. Chapter 21. Pages 472-490. Chapter 22. Pages 494-528. Fischer, A. (2009), “Basics: Fashion Design 03. Construction”, Ava Publishing. ISBN: 978-2940373758. Chapter 7. Pages 146-150. Amaden-Crawford, C. (2006), “A guide to Fashion Sewing”, Fairchild Publications. Chapters 17,18,19, pages 267-308 |
3 | Construction of a trench coat | Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. Chapter 21. Pages 472-490. Chapter 22. Pages 494-528. Fischer, A. (2009), “Basics: Fashion Design 03. Construction”, Ava Publishing. ISBN: 978-2940373758. Chapter 7. Pages 146-150. Amaden-Crawford, C. (2006), “A guide to Fashion Sewing”, Fairchild Publications. Chapters 17,18,19, pages 267-308 |
4 | Construction of a trench coat | Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. Chapter 21. Pages 472-490. Chapter 22. Pages 494-528. Amaden-Crawford, C. (2006), “A guide to Fashion Sewing”, Fairchild Publications. Chapters 17,18,19, pages 267-308 |
5 | Fit evaluation of trenchcoats | Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. Chapter 21. Pages 472-490. Chapter 22. Pages 494-528. Amaden-Crawford, C. (2006), “A guide to Fashion Sewing”, Fairchild Publications. Chapters 17,18,19, pages 267-308 |
6 | Measurement taking | Yeşilpınar,S.,(2006), “Giysi Kalıpçılığı I”, Dokuz Eylül Üniversitesi Tekstil, Hazır giyim ve Boya Araştırma Uygulama Merkezi Yayınları. 975-4412324 |
7 | Design development exercises with flat pattern making techniques | Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. |
8 | Design development exercises with flat pattern making techniques | Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. |
9 | Design development exercises with flat pattern making techniques | Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. |
10 | Sleeve block and design variations | 10 Sleeve block and design variations Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. Chapter 14. Pages 316-385. |
11 | Pant terminology / Drafting the pants | Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. Chapter 25. Pages 554-608. Yeşilpınar,S.,(2006), “Giysi Kalıpçılığı I”, Dokuz Eylül Üniversitesi Tekstil, Hazır giyim ve Boya Araştırma Uygulama Merkezi Yayınları. 975-4412324, Chapter 4. Pages 72-102. |
12 | Design variations with pants | Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. Chapter 25. Pages 554-608. Yeşilpınar,S.,(2006), “Giysi Kalıpçılığı I”, Dokuz Eylül Üniversitesi Tekstil, Hazır giyim ve Boya Araştırma Uygulama Merkezi Yayınları. 975-4412324, Chapter 4. Pages 72-102. |
13 | Computer Aided Pattern Making | Stott, M. (2012), “Pattern cutting for clothing using CAD”, Woodhead Publishing. |
14 | The role of patterns in clothing manufacture: Generating and communicating information | Stott, M. (2012), “Pattern cutting for clothing using CAD”, Woodhead Publishing. |
15 | Semester Review | |
16 | Final Submissions |
Course Notes/Textbooks | |
Suggested Readings/Materials | Amaden-Crawford, C. (2006), “A guide to Fashion Sewing”, Fairchild Publications. ISBN: 978-1609010010 Fischer, A. (2009), “Basics: Fashion Design 03. Construction”, Ava Publishing. ISBN: 978-2940373758 Joseph –Armstrong, H. (2005), “Pattern Making for Fashion Design”, Prentice Hall. ISBN: 978-0135018767 Joseph-Armstrong, H. (2013), “Draping for Apparel Design”, Fairchild Publications ISBN: 978-1609012403 Kim, I., Uh, M. (2002), “Apparel Making in Fashion Design”, Fairchild Publications. ISBN: 978-1563672163 Shields, M. (2011), “Industry Clothing Construction Methods”, Fairchild Publications. ISBN: 978-1563677267 Yeşilpınar,S.,(2006), “Giysi Kalıpçılığı I”, Dokuz Eylül Üniversitesi Tekstil, Hazır giyim ve Boya Araştırma Uygulama Merkezi Yayınları. 975-4412324 |
Semester Activities | Number | Weighting |
Participation | ||
Laboratory / Application | 1 | 30 |
Field Work | ||
Quizzes / Studio Critiques | 1 | 30 |
Portfolio | ||
Homework / Assignments | ||
Presentation / Jury | ||
Project | 1 | 40 |
Seminar / Workshop | ||
Oral Exam | ||
Midterm | ||
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade | 3 | 100 |
Weighting of End-of-Semester Activities on the Final Grade | ||
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 2 | 32 |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | 2 | |
Study Hours Out of Class | 10 | 4 | 40 |
Field Work | |||
Quizzes / Studio Critiques | 1 | 10 | |
Portfolio | |||
Homework / Assignments | |||
Presentation / Jury | |||
Project | 1 | 10 | |
Seminar / Workshop | |||
Oral Exam | |||
Midterms | |||
Final Exams | |||
Total | 124 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to develop and design a collection independently. | X | ||||
2 | To be able to do maintain a design research individually or as a team. | |||||
3 | To be able to develop entrepreneurship- and managerial skills for a future professional practice. | |||||
4 | To be able to understand, interpret and apply theoretical knowledge in fashion and textile design. | X | ||||
5 | To be able to analyze and integrate the particular local and regional needs and of their profession. | X | ||||
6 | To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice. | X | ||||
7 | To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products. | X | ||||
8 | To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design. | |||||
9 | To be able to develop an ongoing analytical and professional approach to academic and design research. | X | ||||
10 | To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest. | X | ||||
11 | To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1). | X | ||||
12 | To be able to speak a second foreign at a medium level of fluency efficiently. | |||||
13 | To be able to relate the knowledge accumulated throughout the human history to their field of expertise. | X |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest